Iqbal's Position in Urdu Tazmeen-Nigari

Abstract

This research paper explores the creative and artistic elements within the genre of Science Fiction (SF), primarily through the critical lens of Abid Ali Abid’s seminal work, "Asloob". The study posits that science fiction is not merely a collection of dry empirical facts but a sophisticated literary form that relies heavily on fundamental creative pillars such as imagination (Takhyul), metaphors (Istia’ra), and symbolism (Majaz). By analyzing the triad of God, Nature, and Man, the author discusses how SF bridges the gap between scientific inquiry and literary aestheticism. To substantiate this argument, the paper examines three distinct narrative forms: the classical dastan "Abnoos ka Ghora" (The Ebony Horse) from Arabian Nights, Tufail Dhana’s modern novel "Clone", and Qurratulain Hyder’s short story "Roshni ki Raftar" (Speed of Light). The analysis demonstrates how these works utilize fictional tools like plot, characterization, and dialogue to transform scientific concepts—such as mechanical flight, cloning, and time travel—into compelling human experiences. The paper concludes that the presence of "Takhyul" (Imagination) is the essential catalyst that turns scientific possibilities into high-quality literature, and emphasizes the need for more academic focus on Urdu Science Fiction as a vital creative domain.